And the more we utilize RWD, the more we will be able to find solutions to any limitations or shortcomings and put aside the alienation( think song lyric). I’ve mentioned some of the limitations to RWD in a previous post (RWE in clinical trials: She drives me crazy). Some say we’re moving to the limelight to fast, perhaps being ill-equipped to act( think song lyric).
We’re starting to really evaluate how we can use RWD to generate RWE. Regulators and industry are getting on with the fascination, the real relation ( think song lyric).
#NEIL PEART LIMELIGHT REGISTRATION#
The use of RWD to generate RWE in Phase II and Phase III pre-approval, registration trials is the dream that is becoming the reality. For RWE, living in the limelight is the universal dream ( think song lyric). By extension, it is changing how we are designing and executing #clinicaltrials to generate evidence for regulatory approvals. Nevertheless, RWE is living on a lighted stage, approaching the unreal ( think song lyric). Similar to Neil’s 360-degree circular drum kit, we should seriously be focused on utilizing RWE during the entire drug/device clinical lifecycle. I am frequently asked about the use of #realworlddata #RWD to generate #realworldevidence #RWE in #regulatory decision-making (RDM), not just through #pragmatictrials or #registries. The tongue and cheek of this post is in memory of Neil Peart, the monster drummer of Rush, nicknamed “The Professor” for his mastery of his craft, and who penned the song Limelight, which is the title theme of this post.
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